Hope
ZioMax’s “Katang Ja” is an abstract, calligraphy style, symbolic representation of a single word or phrase, either person, place or thing, or combination of all three.
This Original Katanga series is hand painted on canvas, and based on intangible things made tangible.
It is an abstract representation of Max visualizing ideas and following it through to actuality. Maxuality.
I’ll tell you what the real viagra is: A fucking hot bitch.
American women have become so Andy Rooney shaped, that men now need to pop a little blue pill to pop a hard on, (While the age of viagra users gets younger and younger, and the American woman gets fatter and Andy Rooneyer).
I think the makers of viagra, 60 minutes, and B.K are in cahoots. Think about the obligations to the Zionist shareholders. No wonder it makes sense to send American men to die in fake wars after they breed ugly kids with dickless Andy Rooney’s. That way, fat women can ride giant chunks of flaming japanese metal and dinosaur shit to the mall and buy more glittery slave labored China junk and give all the money to the shleps. Make that dick limp and put that nation in debt. You go girl. It’s not even your fault. Dick dying mangroves just let you play with the monopoly money too much.
You see, women don’t need dick anymore. Women’s dick is the dollar and a cellphone is their ballsack.
Oh, and Obama isn’t going to change shit. More women will continue getting fat, more dicks will continue to get limp, more men will be killed, more wars will be waged, until the day hot women go the same way the polar bear is going, and men evolve into sexual mangrove turnips with no penis, worth nothing more than their stem cells.
Why would a man need a cock with so many womannosauruses about?
The Future:
In the future, women will probably evolve into asexual women-whales that give birth under water.
Women were right. They don’t belong to men. Women belong to the sea.
ZioMax original movie: The pain of a man’s lost desires
Oct-Nov 2008′ ziomax.com
“The pain of a man’s lost desires”, is about how ZioMax metaphorically questions what art is. The easel represents the same triangle of control that controls the world and decides what art is. It is then realized that the actuality of life’s randomness is the highest form of art that cannot exist in one point of an easel. This “artuality” phenomenon is vivid yet surreal. It exists within different points in time and is constantly changing and adapting to everything around it. This realization allows ZioMax to merge with art itself, thus, becoming one with, “artuality” (art + actuality = artuality). ZioMax then loses individual preciousness to a simple cube, symbolizing the egalitarian misuse of modernism, industry, machinery, and cubism, which will one day take over the world and change it into a perfect square cube. A.I. will then spread to other planets and galaxies, transforming all circles into perfectly square cubes, (like Plato envisioned), across the universe. ZioMax has no choice but to destroy the modernist contraption cube, (and everything that is known along with it), with the same power of the triangle that was used to create it. The only way of returning the universe back to the actual perfection of circular lines and shapes, is pure randomness. -Max Brissette
The repercussions of World War II lead to a modernistic crisis of post-human identity and a hypocritical obsession with human suffering.
The elitist nationalist that feed off humanity with war machines and cause wars are no different than the elitists posthuman modernists utopia freaks that oppose it, they both create a separatism state of class no matter how hard they try to idealistically achieve the opposite.
After 1850, the growth of industries driven by nationalist interests (which believe there is always a threat) lead to World War II. After the disillusionment of World War II smacked everyone on earth in the face with a dose of industrial actuality, there were many anti war movements coming up with all these reasons the war was bad but too cowardly to face the actual causes and actually do anything to stop it. The rise of modernism, supposedly to renounce war and unite the poor and rich classes, has done little more than create a “high modernism” elitist group of their own. The posthuman modernized elitists do not seek to control the body with the war machine, but to control the mind with images, sounds, and justifications. This highly modern elitist group, not only lead to supposedly beneficial movements like abstract expressionism and Fluxus, it also lead to the mass media, and is now the mind behind the latest war, the war for art. Artistic modernism has come full circle with its archenemy of industrial nationalism.
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Meet the contestants from the biggest stage show in the world: The American media.
The validation of fake news (along with the propaganda of victimization) to enforce, and justify the interests of egalitarian nationalists, right before an election, (so they can push more paranoid laws, eliminate more individual freedom, and spread more separatist fear), is the most dangerous force in America (by far) right now.
Ben Bernanke, and his group of mobsters, run the Federal reserve. The “Ben Bernanke Bill” will soon become the only currency used by the entire Zionized world.
The Maxual Patriot:
ZioMax is redefining, thus, reclaiming the word “hate”.
When ignorant people refuse to understand another perspective other than their own, they dismiss it entirely by calling it hate. Labeling something that is not understood as “hate”, does nothing but give ignorant people more power to justify fascism and persecute individualism, while lessening the chance of their own ignorance being persecuted by their own concepts of persecution.
In all Maxuality, “hate” (like the word “truth”) is nothing more than a double standard lie, conjured up from the hell’s of projection. Both hate and truth are subjective “power word” labels, that are as relative to whoever is claiming it as such, as they are to everyone else around them.
ZioMax is no more hateful than corporations that make billions of dollars off all this sexually deviate, hate filled bullshit, called America, like a rapper holding a gun on MTV, or any typical raided R movie, or pretty much any American television program (like Family Guy), or video game, (GTA), but when a white male (independent) artist, with a voice, rises up out of the flames of mass media persecution, (that no corporation can rape, tell what to say, and make money on), it becomes hate.
The American double standard:
This stereotype projection on words and images, is the exact American, double standard, inconsistent non-sense, that drove ZioMax to create this blog, and it is the same American, double standard, inconsistent non-sense, that is destroying the greatest country on earth.
Does the infinity of inconsistent American double standards, not possess hate? Indeed they do. They were founded on it. They also promote excepted hate, which is another ominous force that drives America, but everyone is too busy shopping to notice. The American people let the mass media decide for them, on what is hate and what is anything.
Don’t forget, this is just high art and flawless opinion:
ZioMax is shedding light on this phenomenon of double standard America, by creating a double standard within an excepted double standard. ZioMax perceives more ways to making people see things than through the eyes of only what is accepted.
This is the young ZioMax mangrove, before he went free-range!
Picture “Maxually free man” as a field of wild man flowers, growing wherever they may, in all different colors, textures and varieties. Or, picture him as a dense jungle rain forest, full of original habitats and diverse ecosystems.
Now, picture his cultivation.
Picture men being grown on a fetus farm with a little help of an old, blind, Zionized farmer named Uncle Sam.
Home grown to only care about dying for nothing, and vagina:
Mangroves are like subliminally programmed fields of man turnips that are grown in a straight line, cut (circumcised), programmed (with media and education), and pruned (with those stupid Q-ball-whiffle hair-dews), from seed to salad plate (birth to death).
Once mangroves are brain washed and ripe to perfection, they are vacuum packaged, wrapped in cheesy stripes, and shipped off to a fake war to die for fat gluttons. If mangroves are incapable or unwilling to fight and die to support whore shoppers, they get tossed into the persecution chamber called American society, to be sucked dry by its treacherous economy and the gold-digging whores that drive it.
For the mangroves, a horrible fate lies in wait. Tither which way, he is doomed to decay. -Max Brissette
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Let’s get this fucking straight right now.
ZioMax is not prejudice, racist, sexist, an atheist, or a nihilist, just a Maxualist (a self-actualized actualist).
And in all actuality, no one’s suffering is more important or more profound than another (and that’s just in the human world).
Compared to how people treat the beautiful animals of this earth that do nothing but give, human suffering is absolutely relative.
People suffer all the time and in all different ways. For one culture or movement to tell another culture how to live, on account of their own suffering, is completely hypocritical.
Some cultures eat their dead and have done so for thousands of years. This could be seen as wrong, or a flaw, or suffering, but no culture is flawless. American Democracy has more problems with their own egalitarian logic than pigmies do with eating dead people.
That’s right. Egalitarianism caused this mess due to WWII and all the fucked-up repercussions, and movements that followed it.
Like American Feminism, American Zionism is not a race or culture, it is a movement that tries to impose its beliefs on everyone else around it because they claim mass suffering. It’s like an entire group of sexually frustrated people clusterfucking together and crying mass rape because fucking with other people all-day and night is the only way they can get their jollies.
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The full article can be found here
Feminism killed Comedy: By Max Brissette
I always wanted to love comedy when I was growing up, but like with many other issues, I can’t lie to myself.
Now, hear me express my distain for feminized American comedy and the women that ruined it, to some of my most favorite music.
Enjoy:)
