ZIOMAX

ZioMax original movie: The pain of a man’s lost desires

Oct-Nov 2008′ ziomax.com

“The pain of a man’s lost desires”, is about how ZioMax metaphorically questions what art is. The easel represents the same triangle of control that controls the world and decides what art is. It is then realized that the actuality of life’s randomness is the highest form of art that cannot exist in one point of an easel. This “artuality” phenomenon is vivid yet surreal. It exists within different points in time and is constantly changing and adapting to everything around it. This realization allows ZioMax to merge with art itself, thus, becoming one with, “artuality” (art + actuality = artuality). ZioMax then loses individual preciousness to a simple cube, symbolizing the egalitarian misuse of modernism, industry, machinery, and cubism, which will one day take over the world and change it into a perfect square cube. A.I. will then spread to other planets and galaxies, transforming all circles into perfectly square cubes, (like Plato envisioned), across the universe. ZioMax has no choice but to destroy the modernist contraption cube, (and everything that is known along with it), with the same power of the triangle that was used to create it. The only way of returning the universe back to the actual perfection of circular lines and shapes, is pure randomness. -Max Brissette

This entry was posted on Sunday, November 2nd, 2008 at 7:42 am and is filed under Maxuality. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.